Hans Zimmer Biography, Songs, & Albums |
Hans Zimmer is a German composer and conductor most known for his work on film scores. He has been nominated for four Academy Awards, three Golden Globes, two Grammy Awards, and twelve BAFTAs.
Hans Zimmer is an American composer and conductor known for his film scores. His works range from the romantic drama The Lion King to the post-apocalyptic science fiction film, Mad Max: Fury Road.
Hans Zimmer, one of the most prolific and important cinema composers of the late 20th and early 21st centuries, started his musical career in London in the early 1980s, producing and playing synthesizers for a range of new wave and punk bands. Following the establishment of a recording studio with film composer Stanley Myers, their work on films like 1985’s My Beautiful Laundrette combined conventional orchestral aesthetics with cutting-edge electronics, influencing numerous soundtracks to come. His film, TV, and game scoring company Media Ventures Entertainment Group — later rebranded Remote Control Productions — was founded in Santa Monica, California in 1989, and it launched the careers of dozens of specialists in the field, including Harry and Rupert Gregson-Williams, Klaus Badelt, Henry Jackman, and John Powell. Zimmer received an Academy Award in 1995 for his music to Disney’s The Lion King, which included a mix of orchestral, electronic, folk, and choral components. In the decades to follow, demand for his masterful mix of electronic and orchestral soundscapes only grew. His numerous collaborations include Lisa Gerrard’s Golden Globe-winning music for Gladiator in 2001, James Newton Howard’s Grammy-winning soundtrack for The Dark Knight in 2009, and Benjamin Wallfisch’s Blade Runner 2049 in 2017. (featuring themes by Vangelis).
Hans Florian Zimmer was born on September 12, 1957, in Frankfurt, Germany. He was mostly self-taught and began playing the piano as a youngster. He produced commercial jingles for music production firm Air-Edel Associates after moving to London as a teenager. He co-produced The Black Album for the Damned and worked with the Buggles on their LP The Age of Plastic and its following single “Video Killed the Radio Star” in 1980. In the early 1980s, he also worked with synth pop band Heldon (featuring Ultravox drummer Warren Cann) and the Italian avant-garde group Krisma, in addition to doing more producing work. He subsequently forged a collaboration with composer Stanley Myers and established the Lillie Yard recording facility in London. During this time, Zimmer and Myers contributed to films like as Moonlighting, Insignificance, and the critically praised My Beautiful Laundrette, for which they were billed as Ludus Tonalis in homage of the Paul Hindemith composition.
Zimmer collaborated on the Oscar-winning music for The Last Emperor with David Byrne and Ryuichi Sakamoto in 1986. His first big solo job was the apartheid drama A World Apart, which led to his Academy Award-nominated soundtrack for Rain Man, the 1988 Best Picture winner. Zimmer provided the music for another Best Picture winner the following year, this time Bruce Beresford’s Driving Miss Daisy. By the time the 1990s rolled around, the incredibly productive composer’s music had become a Hollywood mainstay, with blockbusters like Black Rain, Backdraft, Thelma & Louise, A League of Their Own, and Days of Thunder on his resume. Zimmer’s work on Disney’s The Lion King brought him his greatest financial triumph to that time in 1994. The soundtrack for the film won many accolades, including an Academy Award, a Golden Globe, and two Grammy Awards. The Lion King, which was later adapted for the Broadway stage, won the Tony Award for Best Musical in 1998.
Zimmer won another Grammy in 1995 for Crimson Tide, this time for Best Original Score Written for a Motion Picture. In 1996, he was nominated for another Academy Award for The Preacher’s Wife, and in the same year, he received BMI’s coveted Richard Kirk Award for lifetime accomplishment. Zimmer received his fourth Academy Award nomination in 1997 for his work on James L. Brooks’ comedy As Good as It Gets, and he repeated the feat in 1998 with his music for Terrence Malick’s The Thin Red Line. In the same year, he was nominated for a Golden Globe for his work on The Prince of Egypt.
The composer’s career flourished in the 2000s, as he continued to score some of the era’s greatest blockbusters, averaging two or three per year, including Hannibal, Gladiator, The Last Samurai, and The Da Vinci Code. Film Music of Hans Zimmer, a double-disc collection showcasing his accomplishments, was published by Silva Screen Records in 2007. Later that year, for The Simpsons Movie, he adapted Danny Elfman’s wacky Simpsons theme into a conventional symphonic film music.
As the decade of the 2000s drew to an end and the decade of the 2010s started, Zimmer’s name became associated with blockbusters, scoring sequels to the Sherlock Holmes, Pirates of the Caribbean, and Batman series, including The Dark Knight Rises in 2012. His soundtrack for Christopher Nolan’s 2010 film Inception received an Academy Award nomination for Best Music and Original Score, as well as a Saturn Award for Best Music from the Academy of Science Fiction, Fantasy, and Horror Films. After being devastated by the killings in Aurora, Colorado in 2012, Zimmer created a choir version of the Dark Knight Rises theme, simply named “Aurora,” to help collect money for the victims.
Hans Zimmer & the Magnificent Six, which featured Johnny Marr (the Smiths), Junkie XL, Michael Einziger (Incubus), Andrew Kawczynski, Pharrell Williams, and Steve Mazzaro, released the soundtrack for The Amazing Spider-Man 2 in 2014. Zimmer discovered he’d been nominated for another Academy Award early the following year, this time for his work on Christopher Nolan’s sci-fi blockbuster Interstellar. He went on to compose music for the 2016 film Batman v. Superman: Dawn of Justice, which he co-wrote with Junkie XL; the BBC nature documentary series Planet Earth II; and the award-winning Hidden Figures, in which he collaborated with Pharrell Williams once again. He reunited with Nolan for the 2017 film Dunkirk, for which he received his 11th Academy Award nomination. Zimmer came on as composer for the 2019 computer-generated remake of The Lion King, 25 years after the original animated picture, garnering two Grammy nominations in the process. He also wrote the music for Wonder Woman 1984, which will be released in 2020.
Hans Zimmer is a German composer, conductor, and music producer. He has worked on many different projects in the film industry. Some of his most famous works are The Lion King, Inception, and Dark Knight. Reference: hans zimmer early life.
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